Field of Words is an organisation dedicated to helping emerging writers grow. We run international writing competitions across the categories of short story, flash fiction, memoir, and feature/genre fiction, meaning there’s something for all types of writers, all year round. Each category offers cash prizes (AUD). We publish successful entries (winners, runners-up, monthly finalists) on the website. Visit our writing competitions page for details.
We also offer highly affordable critiquing and editing services. See the Critiquing and Editing Services page for more information.
We’re excited to be introducing a new Emerging Writers’ Course (Short Fiction), that will be up and running by the end of April, 2017. All course participants will be in the running to have their work published in the inaugural edition of our creative collection/anthology, ‘Offshoots‘, which will be released as an electronic publication around December 2017/January 2018. ‘Offshoots‘ available to purchase in print ‘on demand’ through the Field of Words website. Stay tuned for more news on these exciting developments.
On this site, you’ll also find the Field of Words blog, where we discuss a vast range of creative writing techniques and subjects; we also offer loads of free writing tips!
Announcing our winner and runner-up for the 2017 flash fiction competition…
Congrat’s to our flash fiction winner Abbey Hunt for ‘Absent City’:
Congratulations are also in order for our runner-up Jackie Trott for ‘Cathedrals of Eucalypt’:
Announcing our winner and runner-up for the 2017 short story competition…
Congratulations to our short story winner, Kathy George, for ‘Telling a Weed From a Flower’:
Congrat’s are also in order for our runner-up, Julia Thatcher, for ‘Insomnia’:
Our winner of the short story category, Kathy George, has crafted an extremely well-written and engaging narrative that thrums with sophisticated characterisation. This piece explores important themes concerning racial prejudice as observed and experienced by its young, innocent characters. ‘How to Tell a Weed From a Flower’ is an exemplar of how to ‘show’ rather than tell’ when writing fiction. Indeed, Kathy’s work ‘shows’ the power of love to transcend all socially/culturally constructed boundaries. We think many readers will appreciate this thematically rich, heart-felt narrative.
Our short story runner-up, Julia Thatcher, has assembled a conflict-driven story that exhibits a sophisticated structure. Julia successfully sustains an engaging and believable voice throughout ‘Insomnia’. Her exploration of autism through the eyes of young Andrew is as captivating as it is enlightening. She also deploys significant details to great effect, allowing them to feed beautifully into the story’s climactic peak of the story’s tension/resolution. We’re sure readers will be moved by this piece.